Exhibit Title: The Atlas for Post-Disciplinary Design
CURATORs: Andrew John Wit + Laurin Aman
Contributors: Mitchell Joachim, Shelby Doyle, Skylar Tibbits, Ang Li, Arash Adel, Rashida Ng, Onur Yuce Gun, Laia Mogas-Soldevila, Tim Rusterholz, Catie Newell, Joyce Hwang, Audrey An, Andrew John Wit, Laurin Aman, Ziui Chen Vance, Erik Cordes, Jessica Jane Julius, Taryn Mudge, Ulysses Sean Vance, Matias del Campo, Doug Bucci, Chad Curtis, George Rodriquez, Donte Moore, Jason Kelly Johnson, Ibanez Kim, Keaton Bruce, Ryan Takaba, Sewon Roy Kim, Jeffrey S. Nesbit, Allie Wist, Mahesh Daas, Masoud Akbarzadeh, Kathrine Falcone, Leslie Lok, Sean Connelly, Masataka Yoshikawa, Sara Codarin, Dustin White, Amelyn Ng, Thomas Pearce, Emma Powers, Patrick Danahy, Shermeen Yousif, Kristina G. Rypakova, Hanah Tardie, Perry Kulper, Kobayashi|Aumann, Pablo Kobayashi, Marcella del Signore, Joseph Choma, Barry Wark Armando Araiza, David Quenby, Maxwell Fertix+Kara Rasure, Jon Penvose + et.al, Ebrahim Poustinchi, Adam Marcus, Brian Kelly, Laura Sallade, Ryota Matsumoto, Yi-Chin Lee, Virginia Melnyk, James F. Kerestes, Brandon Clifford.
Venue: Tyler School of Art + Architecture. Vojislav Exhibition Wall.
Dates: October 25 - November 05, 2025
IMAGES: Andrew John Wit
DESCRIPTION: In the summer of 2025, the Atlas for Post-Disciplinary Design issued an international call for submissions to be included in a series of exhibitions and a subsequent publication, supported by the Tyler School of Art and Architecture in Philadelphia, Pennsylvania.
The call sought work that candidly or incidentally challenged singular disciplinary frameworks and representational norms through the exploration, fixation, or integration of innovative post-disciplinary methodologies. The Atlas was particularly interested in inquiries that extended beyond architecture—or any single discipline—and provoked viewers to pause, reflect, and question the status quo of design practice.
Submissions arrived from across the globe and included project images, physical artifacts, material explorations, machine hallucinations, drawings, diagrams, collages, and multi-modal works.
The final exhibition featured 208 unique pieces submitted by external speakers, internal moderators, workshop facilitators, invited exhibitors, and participants from the open call. Printed works were reproduced on-site using archival-quality paper, while physical artifacts were shipped and displayed on custom-fabricated mounts.
